Before the Festival

This year, Sunda Festival 2025 sets the tone with Antal from Rush Hour Records commandeering the decks at MDLR on Thursday, 17 April. What follows is a multi-sensory adventure, regional selectors and international tastemakers like Danilo Plessow and La Mamie’s will soundtrack two days of exploration across two thoughtfully curated stages. Jurong Stage will shimmer under the visual mastery of artists like Jaymi McManus, @worm.grrl, and Jen O’Connor, while the Fred Perry-backed Nomad Stage plays host to underground legends and rising stars.

Curious how it all came together? Take a moment to read our interview with Sunda Festival 2025 founders Jake and Daniel, a pair whose shared obsession with music and meaningful experiences has carved out something singular in Singapore’s cultural calendar.

Ticket options abound:

• 2-Day Festival Pass + Opening Night (17–19 April) – S$183+

• 2-Day Festival Pass (18-19 April only) – S$148+

• Single Day Passes (18 or 19 April) – S$98+

And here’s something for our savvy readers: use promo code CITYNOMADS to get 10% off (valid for up to 2 tickets per cart). A small nod to spontaneity with a side of savings.

Kids aged 12 and under go free, and those under 18 must be accompanied by someone 25 or older.

Festival Essentials: What to Pack

Packing for Sunda Festival 2025 is part ritual, part practicality. Singapore’s tropical temperament is as much a feature as the music, so plan like you mean it. Here’s a curated list of essentials, complete with shoppable links to keep your prep seamless:

• Sunscreen SPF 50+
• Insect Repellent Spray
• After-bite cream (Mopiko)
• Poncho / Rain Jacket
• Ziplock bags / dry pouch
• Reusable water bottle
• Picnic mat or foldable chair
• Wet wipes, tissues & hand sanitiser
• First-aid kit & medicines

For Campers

Campers, don’t forget: bring sleeping gear, light jackets, and dry changes. No food in tents, wildlife gets curious. And that 6pm check-in deadline? It’s gospel.

Pick Your Wardrobe

At Sunda Festival 2025, there’s no such thing as overdressed. Think breathable linen, flowy fits, and gear that moves as much as you do. Moisture-wicking basics work just as well as ethereal kaftans. And whether you’re in sneakers or barefoot, bring something you can dance in ’til the AM.

Getting There and Back

The journey to Sunda Festival 2025 should be part of the story. Board the MRT to Newton, then hop on an S$8 shuttle straight into the jungle groove. Skip the public buses unless you fancy a sidewalk-less 15-minute walk. No on-site parking means leaving the car behind.

A return shuttle from Sunda back to Newton MRT is also available for S$8. Be sure to reserve both your arrival and departure slots in advance. Grab and Gojek drivers won’t be queuing up in the jungle.

What’s New for 2025

If Sunda Festival 2025 has a mantra, it’s evolution with soul. Beyond the music, this year’s edition brings a well-rounded lineup of experiences:

• Qi Gong and movement meditation
• Cold immersion with Wild Pearl and Tundra
• Zero-waste clay crafting, slow fashion jamming, and body rhythm workshops
• FOMO HOMO’s voguing spectacular at Fred Perry’s Nomad Stage
• Free Oat Lattes and Soft Serve by Oatly x Narrative Coffee
• Heineken Silver’s Silver Hour with early bird beers at their custom bamboo bar

• Aperol Spritz Sunset Hour with buy-one-get-one Aperol Spritz from 5–7pm

Food-wise, expect a rotating menu of rice bowls, tacos, hot dogs, and plant-powered treats from vendors like Just Two Friends, Hood Lemak, Sidecar Handcrafted, and Boujee Botanicals.

Respect The Vibe

Sunda Festival 2025 is built on collective joy. It’s BYOC (bring your own cup), cashless, and kind. Top up your RFID bracelet to go full digital, and either bring your own reusable cup or purchase a Sunda-branded one onsite. Smoke only where it’s permitted.

No cooking, no outside food or drinks, and definitely no funny business around performers or fellow guests. Be cool, stay hydrated, and treat the space like your mum’s garden. Maybe even better.

Before You Leave

That final sunrise? Don’t rush it. But when it’s time to pack up, double-check your gear and soak up one last moment of stillness. Sunda Festival 2025 is more than a party — it’s a pilgrimage. And when it ends, you’ll want to carry that feeling for a while longer.

Until next year, stay wild.

Sunda Festival 2025 runs from 17 to 19 April 2025, with an Opening Night at MDLR (17 April) and the main event held at Sarimbun Scout Camp, 70 Jalan Bahtera, Singapore 719921. Purchase your tickets with our promo code “CITYNOMADS” to get 10% off (valid for up to 2 tickets per cart) via sundafestival.com.

The post Sunda Festival 2025 Singapore: Your Essential Guide To The On-Site Camping Music Fest appeared first on City Nomads.

As the festival prepares for its second edition, we sat down with Jake and Daniel to talk about their journey, the philosophy behind their ventures, the challenges of organising large-scale events in Singapore, and their vision for the future.

From Childhood Friends to Business Partners

Jake and Daniel’s partnership started long before their professional collaboration. “We’ve known each other since we were 13,” Daniel recalls. “We went to the same school, so that’s a good 20 years of friendship.” Their shared love for music deepened when they played in a band together as teenagers, but their journey into the electronic music scene was an unexpected turn.

“Back then we weren’t really into dance music growing up,” Jake admits. “We were more band kids, playing ska and alternative rock. But when we moved back to the region in 2015, we had this shared vision of wanting to bring more color to the dance music scene here.” That vision led to the creation of Ice Cream Sundays, an event series that quickly gained a following for its laid-back atmosphere, eclectic music programming, and strong sense of community.

What are the fundamentals connecting all these different musical ventures?

Despite their diverse projects, a few key principles run through all their work.
“For me, the common thread is a love for independent, soulful, and groove-based music,” Jake explains. “We like to do things that have a DIY spirit, a raw edge, and a strong sense of community and inclusiveness.” Daniel agrees, adding that beyond the musical aspect, their goal is simple: “We want to bring people joy, and we choose to do that through music-centric experiences. Seeing smiles on faces, that’s what we do it for.”

The Evolution of Sunda Festival

After a successful debut, Sunda Festival is returning with significant changes and improvements. “The main vision has stayed the same,” Jake says. “We set out to create a bridge between different creative communities in Southeast Asia, a place where people from various scenes can meet and build relationships.”

However, one major shift was moving the festival to a long weekend. “One of the biggest challenges in the first edition was getting people to commit to a Sunday event,” Daniel explains. “This year, we’ve adjusted the timing so attendees can enjoy two full days, running from Friday to Saturday until 4 a.m., with no Sunday programming. Instead, we’ve added an Opening Night on Thursday at MDLR to kick off the festival in an urban setting.”

Additionally, Sunda has expanded its programming. “We’ve broadened the scope of the lineup by mixing in established international acts, while continuing to spotlight our favourite regional and local talent.” Jake adds.

What Makes Sunda Festival Unique?

Sunda Festival positions itself differently within the Southeast Asian festival landscape. “We see ourselves as a meeting point for the region’s creative communities,” Jake explains. “We felt that Singapore lacked a festival that truly celebrated regional talent while fostering collaboration across countries.”

Daniel highlights another key distinction: its family-friendly atmosphere. “Having travelled to many festivals, I still think inclusiveness for families is something that’s underdeveloped in this region. At Sunda, we had about 70 kids in our first edition, and our Road to Sunda format saw over 100. This adds a different energy, it’s still a party, but it feels more civilised and accessible.”

The Challenges of Organising a Festival in Singapore

Running a festival is never without its challenges, and working as a small team on a massive project like Sunda can be a pressure cooker. “You experience a lot of emotional highs and lows,” Jake admits. “But for the most part, we enjoy a very good dynamic within the team.”

Daniel adds that disagreements are inevitable in any small business but emphasises the importance of trust. “We have a lot of faith in our relationships across the team, whether it’s between Jake, Bong, Mel, or the creative team. I was once told not to work with friends, but I ignored that advice. I only do business with friends.” he cheerfully concludes.

Running a festival in Singapore comes with its own set of unique challenges. One of the biggest hurdles? “Convenience culture,” Jake says. “People hesitate to take a 45-minute bus ride to the festival venue, even though they’d take a similar journey to Changi Airport, and then hop on a 3hr flight to another festival.”

Another challenge is navigating regulations. Daniel, who oversees licensing and production, has found that Singaporean authorities are more open to discussion than many assume. “Initially, we were told 10:30 p.m. was the latest we could run an outdoor event. But we had conversations, showing them we had safety measures in place, including ambulances, security, and transport solutions. Those discussions allowed us to push our curfew later.”

However, Singapore’s stringent building codes pose creative limitations. “We work with CULM-INNATE Studio in Vietnam for bamboo structures, but here, everything has to be approved by an engineer. They’re used to working with concrete and steel, not bamboo, making it a fun challenge to work around.”

Ice Cream Sundays: Lessons learned and how Sunda Festival benefits from past experiences

Before launching Sunda, Jake and Daniel had already built a strong foundation with Ice Cream Sundays. “We started as a casual house party,” Jake says. “Over time, our vision evolved. Musically, we started with disco, funk, and house, but we’ve broadened that scope significantly.”

“I think if I walked into a 2016 Ice Cream Sundays today, it would feel like a completely different universe,” Jake reflects. “Musically, my palate has broadened a lot over time. When we started out, our original vision was kind of disco, funk, and house, and in a lot of respects, that is still part of the core DNA of Ice Cream Sundays. But it has expanded a lot, and many of the bookings we’ve done from overseas reflect different offshoots of that sound, even some that are quite different. Musically, it’s evolved a lot. I have to also give credit to my other fellow resident DJs, Muto and Bongomann, for introducing a lot of that as well into the musical DNA of Ice Cream Sundays.”

Daniel emphasises the importance of understanding team dynamics. “Scaling up means recognising gaps and bringing in the right people. Sunda is a massive step up from Ice Cream Sundays, and we need specialists in production, operations, and creative execution to pull it off.”

Sustainability in Festivals: Reality or Buzzword?

A growing priority in their work is sustainability. Nomad Solar Sound, their solar-powered speaker system, is part of this effort. “It’s a business opportunity, but also a passion project,” Jake says. “We believe sustainability should be integral to festival production.”

Daniel acknowledges that the industry still has a long way to go. “We prefer the term ‘conscious consumption’ rather than ‘sustainable festival’ because, realistically, events still rely on things like diesel generators. But we’re seeing progress, there are new solar-powered battery packs that can run food stalls, and in the next few years, fully off-grid events might become possible.”

The Future of Sunda Festival

Looking ahead, both founders have ambitious goals for Sunda. “I’d love to see it become a destination festival where people fly in from around the region,” Jake says. “That would mark a big step forward.”

Daniel is also interested in experimenting with different formats. “We ran a successful city edition (Road to Sunda) in October, and we’ve spoken to festival promoters who run extended formats with workshops, talks, and pop-up events leading up to the main festival. Sunda doesn’t have to be just one thing—it can evolve.”

Friendship, Resilience, and a Hidden Easter Surprise

When asked to describe each other, the duo reflected on their working relationship and personal qualities.

Jake described Daniel as someone with an amazing work ethic, multi-talented, and empathetic, highlighting his ability to juggle multiple aspects of their projects while maintaining a strong sense of teamwork and integrity.

Daniel, in turn, characterised Jake as intelligent, talented, passionate, resilient, and funny. He noted that Jake’s role in overseeing marketing and communications requires adaptability, especially under the pressure of ticket sales, making his resilience an invaluable trait.

As for hidden festival details? Daniel shares an interesting fact: “Sunda was originally planned for 2020 at Haw Par Villa, but COVID stopped us. Florian (aka Shi Fu Miz Festival co-founder), our partner, later found Sarimbun Scout Camp on Google Maps, even though he lives in Hong Kong! This changed everything.”

Jake adds a playful Easter egg: “This year, as part of a collaborative activity by Keen and Play!, we’re literally hiding Easter eggs around the festival, it actually falls on Easter weekend!”

Final Thoughts

When asked what message they want attendees to take away from Sunda Festival, their answers sum up their ethos:

Jake: “Your next favourite artist might be someone who lives in your town.”

Daniel: “Our tagline: It’s nice out here. As Jake said, it embodies the notion of  celebration of regional talent. But it also represents the fact that it’s worth traveling the extra mile for a one-of-a-kind experience within Singapore.”

As they continue to push boundaries, Sunda Festival is not just about music:
it’s about building a conscious, inclusive, and community-driven cultural movement that Singapore can call its own.

Sunda Festival 2025 takes place over this Easter’s long weekend, kicking off with an urban Opening Night on Thursday, April 17th, and wrapping up on Saturday night, April 19th. With a focus on regional talent, immersive artistic production, and a welcoming, inclusive atmosphere for all ages, it’s set to be a truly unique celebration. Don’t forget to unlock a little something extra with the code CITYNOMADS when grabbing your tickets.

See you at Sarimbun Scout Camp!

The post Sunda Festival 2025: Two Friends Shaping Singapore’s Music and Festival Scene appeared first on City Nomads.

Born in Porto but shaped by the streets of London, DJ and producer Nuno da Cruz has carved out a unique musical identity that bridges cultures, genres, and decades. Known for his genre-defying sets and raw approach to artistry, Nuno’s story is as eclectic as his sound. In this edition of City Nomads Radio we caught up with him for a candid conversation that took us from his early days in Portugal’s underground scene to his immersive experiences in London’s iconic clubs including Fabric, Dalston superstore, and south London Diggers Heaven The Gowlett Arms.

“Everything Starts with Silliness”

City Nomads (CN): Hey Nuno, how’s everything? Ready for this?

Nuno: I haven’t had time to prepare—I’m so sorry! (laughs) Honestly, I’ve been anxious for the last two days about this.

CN: We should’ve sent you the questions ahead of time!

Nuno: Yeah, I thought about that. But you know what? Maybe it’s better this way. Everything starts with silliness, right? And anyway, isn’t that what being an artist is all about? Not being prepared? LOL

Finding His Sound: Porto to London, and the Spaces In Between

CN: You were born in Porto but spent most of your life in London. How do you think these two cities have shaped you, both personally and musically?

Nuno: There are so many ways you can approach this question. Porto and London have this cultural bridge. Portugal has always been massively influenced by British music, and that comes from geography. Since the 1920s, even during World War II, we were picking up British radio waves. By the 1980s, Porto had this boom in underground and alternative music because kids were tuning into British radio and spreading what they heard.

I grew up during that time—the first generation born into freedom after the dictatorship ended in 1974. Music was the first thing people used to express themselves. My dad played a huge role too. He was a businessman working with a British company, flying to London all the time. He brought back so much culture—my first silver t-shirt, my first single, my first portable console. But more than that, he brought back 8mm films in Camden Town, Soho, even early Carnaby Street. I was like six years old, watching these raw, gritty images while living in the middle of austerity in this tiny suburb outside Porto. That became my playground, my escape.

Moving to London: The Reality Check

CN: When you finally moved to London in the late ’90s, was there a culture shock?

Nuno: Oh, definitely. I thought I knew everything about London’s music scene because I’d been obsessing over it for years—reading The Face, ID and Wraygun, trying to replicate the culture from afar. But when I arrived, I realised even a six-year-old in London probably knew more about music than I did. There’s just too many things to do in London. That was my culture shock. I’d been so in my bubble, thinking I had it all figured out. But London is so vast, musically. It humbled me real quick. 

CN: Were you a raver before you became a DJ? What’s your first memorable experience in the club scene?

Nuno: I became a raver out of necessity, I think. It wasn’t like, “Oh, I’m going to be a raver now.” Things in my life just happen naturally, and I decide to embrace them. My background was in rock—I studied classical piano as a kid, was in bands, wrote poetry, all that. But when I started writing for a ska band called Sloppy Joe, that’s when I realised I wanted to explore dance music more deeply.

The first real “wow” moment I had in a club was seeing Kruder and Dorfmeister in 96 promoting the now classic DJ-kicks. They were throwing in Bossa Nova elements—it wasn’t even fully electronic—and it blew my mind. I walked out of that set thinking, There’s so much you can do as a DJ that I never even considered. And then I saw Rockers Hi-Fi, and I was like, What the fuck is this? I wanna do that! That kind of stuff opened my eyes to the possibilities within the art of mixing.

DJing as a Learning Process

CN: So DJing wasn’t the original plan?

Nuno: Not at all. But once I started DJing, I realised it was the best way to learn about music composition. You’re learning from other people’s processes—figuring out how tracks are structured, how to mix them into other songs, how to create momentum. I learned so much more about composing through DJing than I ever did in school. It made me hyper-aware of the intricacies in song structures, and that became a big part of how I approached my own music.

CN: When you’re in the studio, do you have a particular creative process, or is it all about improvisation?

Nuno: I wish I could say I had a process, but honestly, it’s mostly improvisation and making the most of the tools available to you. I struggled with the transition to digital production in the ’90s. My first experience with computers in music was traumatising—I hated it. I recorded an album with my band Driving Under Influence, in 97 that goes unpublished to this day but introducing computers into the process to time the drums felt like a total failure, we lost hours over it

It wasn’t until much later, around 2003, that I started experimenting again. Even then, it was more about playing around with sequencers and synths. During COVID, I finally had the time and space to dive back into production seriously. But even now, I don’t see myself as both a DJ and a producer at the same time. When I’m DJing, I’m analysing; when I’m producing, I’m creating. They’re two different mindsets for me.

Vinyl Obsession: Analog vs. Digital

CN: Technology in DJing and production has evolved massively. Where do you stand on the analog vs. digital debate?

Nuno: Ah, the eternal question! (laughs) I come from the old school, mixing vinyl obsessively for years. At one point, I had over 8,000 records—I thought I was a collector, but really, I was just hoarding vinyl like a lunatic. Eventually, I had to confront that. I listened to every record, decided which ones to keep, and gave away or sold the rest. I’m down to around 5,000 now, but each one means something.

That said, I’ve embraced digital too. When I first tried to transition to digital in the ’90s, both in graphics and music production I failed miserably. But later, especially in London, I learned to adapt. Mixing with CDJs, USBs, or even software like Traktor became part of the process. It’s not about being purist for me—it’s about using whatever tools help you express your sound best.

CN: You’ve played in clubs in both Porto, Portugal and London. Do you adapt your sets based on the city and its crowd, or do you stick to your core style?

Nuno: I definitely adapt. My sets are never the same because I’m always in a different phase of discovery. Sometimes I’m deep into Italian library music, other times it’s Nigerian funk or early ’80s Greek pop. I source music from friends, favorite labels, and even political soundbites or obscure vocals. I like to throw in elements that aren’t necessarily “me” but add a layer to the story I’m telling.

CN: How do you plan a set? Do you have a narrative in mind, or is it more instinctual?

Nuno: I don’t pre-plan the sequence of tracks. Instead, I listen to everything I’ve gathered, learn the structures, and figure out where I can break or cut them. The real magic happens live. That’s when I discover how different sounds interact and how the crowd responds.

CN: What’s next for you? Any upcoming projects or plans we should keep an eye on?

Nuno: The good news is that, after a period of enforced hiatus due to the COVID-19 pandemic, I’ll be resuming my DJing career with a residency at OpenBox in Porto’s Art District Miguel Bombarda in 2025. This residency will build upon the spirit and work done for 8 years with Club Return to Forever at the Gowlett Arms in Peckham, South London, exploring a diverse range of funk and experimental sounds.

I’m currently working on new productions, including enough material for an LP tentatively titled “The NuAge is an Ape * The Artist is no wonder.” I’m also experimenting with incorporating more live elements into my sets, blending DJing with live performance and musicians. And while I’ve been sitting on an unreleased album for a while, I’m primarily focused on staying inspired and seeing where this musical journey takes me.”

CN: Thanks for the chat, Nuno. This was a wild ride!

Nuno: Thank you! This was a trip down memory lane. I hope it all makes sense once you edit it! (laughs)

Listen to the mix he created for City Nomads via our mixcloud or click play below:

Follow Nuno and stay updated on his latest happenings at his channels:
@nuageape on Instagram | Soundcloud | Resident Advisor

The post Exploring Nuno da Cruz’s DJ Journey: Musical Roots and Evolution appeared first on City Nomads.

Give CHIDA’s mix a listen as you read along!

A Glimpse into Road to Sunda

 

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Get ready for a one-day-only dance music extravaganza as Road to Sunda hits Singapore on October 5, 2024, bringing the electrifying vibes of Sunda Festival to Haw Par Villa’s Former Villa site. Created by the brains behind Sunda Festival—Ice Cream Sundays and Hong Kong-based creative agency, FuFu Creative’s Florian Melinette—this event is a sneak peek into the magic of Sunda Festival 2025. Expect a killer lineup of Asia-Pacific’s most exciting DJs and live acts, from Jakarta’s experimental Precious Bloom to Tokyo’s legendary DJ CHIDA, plus local heroes like Ramesh, Jenn Chunes and many more. More than just music, Road to Sunda promises a full sensory experience with creative art installations, wellness activities, and a food and drinks menu inspired by bold Asian flavours.

Arrive before 4pm to snag free oat coffees and delicious soft serve, made with Oatly’s 100% plant-based oat drink products! And from 12pm–1pm, catch Silver Hour where the first 100 punters will get a complimentary can of refreshing Heineken Silver. Oh, and the first 500 beers will be served with a free collaborative Heineken Silver beer sleeve designed by Natasha Hassan!

And if you’re not ready for the party to end, the official afterparty at Tuff Club will keep the beats going till 4am. With limited tickets starting at S$73, this is the festival you don’t want to miss—grab yours now here. Get 10% off using code [NOMADS10] for Advance and Last Chance tickets (not including bundles).

“I Have No Idea How To Live Without Music”

Music, for CHIDA, is deeply ingrained in his identity. His love for music began when he was just 18, frequenting clubs and collecting house music records. What began as a hobby quickly evolved into a passion for DJing, particularly during his university years in Tokyo, where he teamed up with college mate DJ KENT (aka The Backwoods/Force of Nature). Together, they honed their skills, playing in the buzzing nightlife of Shibuya. For CHIDA, the early days of Tokyo’s house and techno movement were special. Back in the ’90s, DJs didn’t have the convenience of USBs or streaming platforms. Each DJ set was built on a unique collection of records, painstakingly curated through regular trips to record stores. As CHIDA puts it, “Collecting records was more important than paying for an apartment.” It was a time when DJs’ individual styles were defined by their crates of vinyl and mixing skills—a period that deeply shaped CHIDA’s approach to music.

Despite the rapid mainstreaming of house and techno in recent years, CHIDA has remained rooted in the underground scene. He acknowledges the seismic shifts that have occurred since his early days, noting how technology has made it easier for aspiring DJs to break into the industry.

“Since 1992 when I got into this industry, everything has changed so quickly. The biggest difference is that everything is getting easier. Everyone can start DJing with USB, and produce music with an iphone, laptop. That makes everyone can be a DJ/producer so quickly and easily. But I still enjoy digging records and also checking new stuff online. Easy to find what I really want on bandcamp.”

The Marathon DJ Sets That Made Him a Legend

One of the most fascinating aspects of CHIDA’s career is his ability to perform marathon DJ sets. Since 2013, he has played seven-hour sets in Japan and Berlin, and these lengthy sessions are a true test of endurance, both for the DJ and the audience. However, for CHIDA, the energy of the crowd is what sustains him. His selection process is highly intuitive, driven by the mood of the room and what the dancers need at any given moment. The blend of genres in his sets, ranging from house to disco, funk, and even rock, adds an element of surprise that keeps his performances fresh and unpredictable.

“I’ve been playing for many kinds of venues and diverse people. So, I’m always playing different DJ sets. I always love surprising people with unexpected music choices and mixing. For example, playing dark techno after old disco.”

CHIDA’s adventurous spirit also comes through in his work with Ene Records, the label he founded in 2009. He started the imprint to provide a platform for new artists and help disseminate cutting-edge music. Over the years, Ene has released tracks by an eclectic mix of talents, including Psychogem, Lord Of The Isles, Tiago, and The Backwoods. Although the label has been quieter in recent years, CHIDA is preparing to relaunch with new material from his circle of collaborators. His vision for the label remains as strong as ever—supporting artists and keeping the underground scene alive.

What to Expect at ‘Road to Sunda’

CHIDA believes that festivals like Road to Sunda play a vital role in fostering community within the music scene. These in-person festivals are where the shared experience of music can forge meaningful relationships and energise the scene. He loves the challenge of playing for diverse crowds in different settings and using these gatherings as an opportunity to surprise the audience with unexpected musical moments. For his upcoming performance at Road to Sunda, CHIDA is excited to showcase both his favourite new tracks and timeless classics.

“I think local events like Sunda Festival play an important role in revitalizing the scene & connecting people / DJs / musicians. And It is much more important to connect and empathize with people at a real party than it is to have virtual relationships.”

Lessons From the Decks: Reflections and Advice

Looking back on his career, CHIDA is clear about one thing: music can change lives. Whether through his DJ sets or his work with Ene Records, CHIDA understands the power of a shared musical experience to uplift and transform. For younger DJs and producers entering the industry, his advice is simple but profound: “Life is very short. Keep doing your own thing.” It’s a mantra that has guided him through decades of change and continues to drive his creative journey today.

Keep up with CHIDA here.

All images courtesy of CHIDA.

The post City Nomads Radio: DJ CHIDA Talks 30 Years in the Tokyo’s Underground Scene & His Upcoming Set at ‘Road to Sunda’ appeared first on City Nomads.

As always, hit the play button to groove as you dig deeper into Mantravine’s Rhythmic Tapestry.

In the realm of music where genres blend and new sounds are constantly emerging, Mantravine is pushing creativity and fostering community vibes through various shows, workshops and sound baths. In this edition of City Nomads Radio, we speak with the band about their diverse influences, audience connection, integration of wellness and more.

A Symphony of Diverse Influences

Mantravine’s journey began in 2012, inspired by the eclectic energies of psychedelic world music at Australia’s Rainbow Serpent Festival. Upon returning, Rupak George, the band’s music producer, collaborated with Starlight Alchemy to create their debut album, ‘Dream of Dragons,’ for the Flipside festival at the Esplanade. Since then, their evolution has been marked by a passionate drive to radiate love and joy through music, creating a unique musical experience that captivates audiences worldwide, including in Morocco, Germany, Thailand, Italy, New Zealand, Netherlands, Sri Lanka, Hawaii, France, Japan, Australia, and Singapore.

Over the years, this ensemble has created a formula that allows them to evolve gracefully, much like the organic beings they liken themselves to. Their approach to music is dynamic and ever-changing, driven by a mutual passion for exploration and expression. Each member brings a unique cultural and musical background, contributing to a cohesive sound that’s both unified and wonderfully diverse. The band also uses their music as a platform for social and political commentary. “Mantravine stands for social and political liberation, for joy, for musical empowerment, and for creativity,” the band assert, highlighting the intrinsic link between their artistic expression and their advocacy for a better society.

“We kind of think of Mantravine as a very special kind of organism. Like most organisms, there are different parts which make a whole. We are petals, leaves, branches and roots, all different and yet necessary. We each have our role to play in our ultimate function: to make magical music… This organism matures and becomes wiser over time.”

The Art of Improvisation

Improvisation is a cornerstone of their live performances, allowing them to weave spontaneous musical narratives that are both unpredictable and deeply engaging. A memorable instance of this was during a festival in Sri Lanka, where what started as a duo performance evolved into a six-piece ensemble show, completely improvised with newly-made friends at the festival. This ability to adapt and innovate on the fly is a defining trait of Mantravine, reflecting their deep musical synergy and ability to connect and create under spontaneous circumstances.

“We have a hybrid formula of using structured improvisation. It’s all about listening and responding.

With the relationship we have now, sometimes we improvise songs and whole sets without people knowing. That being said, it has taken years. Most of what you will hear us play publicly is very developed material, even if it did start as a complete surprise!”

Mantravine places a heavy emphasis on audience interaction, transforming each performance into a collective experience, a shared journey of emotional and energetic exchange. Their performances are interactive, inviting audience participation that ranges from contributing lyrics to becoming part of the live sound. A standout moment of audience interaction occurred in New Zealand in 2018 when a friend’s daughter sang on stage with the band, stepping out of her comfort zone and into the light, guided by the supportive energy of Mantravine.

Wellness in Music

The global disruptions brought about by the COVID-19 pandemic, while challenging, provided unexpected opportunities for Mantravine to delve into the realm of wellness music. They produced seven albums during this period, incorporating healing frequencies into producing wellness albums for yoga, meditation and they now conduct sound baths, enriching the audience’s experience with ancient, nurturing energies.

Looking Ahead

As Mantravine prepares for their international tour across Germany, the Netherlands, and Morocco, they continue to explore new musical landscapes. Their upcoming projects include a tribal Middle Eastern show at a party called “WEAVE: A Multidisciplinary Playground”, intertwined with storytelling, promising yet another layer of cultural synthesis and creative expression. Catch them at Blackbox of Aliwal Arts Centre on Saturday July 6, 2024, from 7-11pm.

For aspiring musicians who wish to fuse different cultural sounds into their music, the band leaves this advice:

“The world of sound is massive, so set some limitations on what you want to work with and look for a show or an event to share your sonic exploration. That will help you to be productive in creating.” For more advice, check out Rupak’s collab with Tracy Joy Phillips from deeplycurious.

Keep up with Mantravine here , and check out their latest song Saraswati on Spotify. 

All images courtesy of Mantravine.

The post City Nomads Radio: Singapore band, Mantravine’s Rhythmic Tapestry, Evolving Sounds & Boundless Creativity appeared first on City Nomads.

What’s On at Vivid Sydney 2024

This year’s theme, “Vivid Sydney, Humanity,” emphasises the importance of human connection and creativity in an ever-changing world. Creativity and imagination are at the heart of this exploration, helping us understand and respond to our world and value diversity. Through story, art, music, food, and other means of creative expression, Vivid Sydney invites everyone to connect, create, and participate.

Brace yourself for a city illuminated with awe-inspiring art installations and 3D light projections, casting a magical glow upon Sydney’s iconic buildings and urban spaces. Expect live music and performances that transcend boundaries, with both emerging and established artists sharing their stories through dance and song. Immerse yourself in thought-provoking experiences and heartfelt discussions led by inspiring minds and free-thinkers addressing the big questions. Pop-up markets and dining experiences will pay homage to the rich diversity of our community through delectable culinary delights.

Vivid Food 2024: A Culinary Celebration

As part of Vivid Sydney, food lovers are in for a treat with the return of Vivid Food 2024. This year’s lineup highlights food as a universal language that connects us all. Here’s a preview of the mouthwatering experiences that await:

Vivid Residence: A Culinary Takeover

Latin America’s Best Female Chef 2022, Manoella ‘Manu’ Buffara of Manu Restaurant in Brazil, will take over Kiln, at the Ace Hotel Sydney on 4 to 6 June 2024. Buffara, known for her commitment to environmental and social sustainability, will showcase her pioneering approach to fine dining using New South Wales’ finest produce. This exclusive residency will offer a nine-course dinner menu (AU$420 per pax) and a seven-course lunch menu (AU$320 per pax), both with bespoke beverage pairings.

Vivid Chef Series: Culinary Collaborations

The Vivid Chef Series will feature Sydney’s top hatted restaurants hosting collaborations with Michelin-starred chefs from around the globe, including Sally Abé, renowned for her nostalgic British cuisine, joining forces with Billy Hannigan at The Charles Brasserie & Bar; Ivan Brehm of Singapore’s Michelin-starred Nouri collaborating with Paul Farag at AALIA to blend Middle Eastern and global food traditions; and Max Coen from London’s Dorian partnering with Ben Greeno of Fred’s to create a menu celebrating the simplicity and artistry of local produce.

Vivid Fire Kitchen: A Festival of Flames

Set against the backdrop of The Goods Line, Vivid Fire Kitchen will feature the world’s best pitmasters and BBQ heroes, including Australia’s Lennox Hastie, Christine Manfield, and John McFadden, along with international stars like Texas’ Jess Pryles and Sweden’s Niklas Ekstedt. Guests can enjoy fire-cooked dishes from around the globe, including tandoor, Argentinian Asado, and First Nations tucker, all while soaking in the vibrant atmosphere with fire sculptures, flame shooters, and live entertainment.

Vivid Sydney 2024 promises to be a celebration of food, culture, and community, bringing together the best local and international culinary talents for an unforgettable festival of flavours. Don’t miss your chance to be part of this extraordinary event that highlights the power of food to connect us all.

Get Your Tickets

Vivid Sydney runs form 24 May – 15 June, 2024, at various locations throughout Sydney, Australia. Food enthusiasts are encouraged to secure their tickets early for Vivid Food 2024. For tickets and explore the full program, please visit vividsydney.com/food. 

Top Image: Courtesy of Vivid Sydney

The post Vivid Sydney 2024: A Celebration of Creativity, Innovation, and Technology appeared first on City Nomads.

Horst Music Festival, Belgium – May

Over three immersive days, Horst Music Festival showcases visionary architectural stages and site-specific art installations, creating an unparalleled artistic experience. By fostering artistic experimentation and revitalising urban spaces, Horst champions community collaborations, transcending traditional art boundaries. Featuring an eclectic lineup that includes emerging talents such as Sookie alongside established icons like Akanbi, the festival celebrates rave culture’s transformative power, fostering solidarity and camaraderie.

Horst Music Festival runs 9-11 May 2024 at Asiat Park, Mechelsesteenweg 255, 1800 Vilvoorde, Belgium. Tickets are priced from €67 (S$97.16).

Gottwood Festival, Wales – June

Set against the stunning backdrop of the Anglesey forest, Gottwood Festival beckons you to a place where underground electronic beats pulse through the trees, creating unforgettable moments. With a mission to redefine the festival experience, Gottwood seeks to restore power to the people and reignite the spirit of raving. Offering a harmonious blend of music, art, and culture, Gottwood promises spontaneity and a truly unique adventure. Their meticulously curated lineups feature a mix of emerging talents like Appleblim and Robert James alongside seasoned veterans like DJ Storm, promising you with an electrifying journey through diverse musical landscapes.

Gottwood Festival runs 13-16 June 2024 at the Carreglwyd Estate, Carreglwyd Wood, Carreglwyd, Llanfaethlu, Holyhead, Wales, LL65 4NY. Tickets are priced from £284.10 (S$481.15).

Waking Life, Portugal – June

Endlessly pushing boundaries and redefining the rave experience, Waking Life emerges as an intimate six-day event beneath the radiant desert sun in the heart of Crato, Portugal. Set against the backdrop of the summer solstice, bask yourself in endless daylight amidst the tranquil embrace of eucalyptus groves. Since its inception, Waking Life has been a beacon of artistic experimentation, with Belgium-based music collective Roots of Minimal playing a pivotal role in its early curation. Hosted by Associação Waking Life, the festival’s upcoming edition promises a diverse array of talent, from established names like Ben UFO and Mala to groundbreaking acts such as the experimental project Voice Actor and Kenyan rapper Nah Eeto.

Waking Life runs 19-24 June 2024 at Monte da Pedra Lugar Couto do Saramago, Aldeia da Mata 7430-437, Portugal. Tickets are priced from €260 (S$377.03).

Dekmantel Festival, Netherlands – July/August

Experience the magic of Dekmantel Festival as it returns to Amsterdamse Bos for an unforgettable five-day extravaganza featuring over 200 artists. From electrifying performances at iconic venues like Het HEM and Oude Kerk to engaging talks and workshops, the festival offers a diverse mix of music and culture. With headliners like BICEP and Luke Slater, alongside a stellar lineup including Actress and Jeff Mills, Dekmantel Festival promises to be the ultimate celebration of electronic music.

Dekmantel Festival runs 26 July – 4 August 2024 across various venues in Netherlands. Tickets are priced from €39 (S$56.55).

Houghton Festival, UK – August

Brace yourself for an electrifying comeback as Houghton Festival makes its return this year! The renowned Craig Richards-curated event will once again transform the historic grounds of Houghton Hall in Norfolk after a three-year hiatus due to extreme weather and the pandemic. Marking its fifth edition with a stellar lineup of international heavyweights and UK electronic icons, expect to be treated to the sounds of Moodymann, Skee Mask, Ben UFO, Mala, Saoirse, and more, promising to keep the beats going all weekend long.

Houghton Festival runs 8-11 August 2024 at Houghton Hall, King’s Lynn, Norfolk, PE31 6UE. Tickets are priced from £297.50 (S$503.62).

Field Day, London – August

Groove to the beats as Field Day makes its return to Viccy Park, drawing over 50,000 enthusiastic ravers to its electrifying celebration. This year’s lineup is exceptionally steeped in electronic vibes, headlined by the iconic Justice, who are unveiling a new album alongside a fresh set of house anthems. Joining them are a lineup of stunning acts including Shygirl, Brutalismus, Charlotte de Witte, Mura Masa, and many more.

Field Day runs 24 August 2024 at Victoria Park, Grove Rd., London E3 5TB, UK. Tickets are priced from £70 (S$118.50).

Lost Village, UK – August

Step into Lost Village, an enchanting haven nestled in an abandoned forest where time stands still. By day, explore engaging talks, immersive workshops, and revitalising wellness activities. As the sun sets, the forest comes alive with vibrant comedy and music, pulsating with boundless energy. Surrounded by like-minded souls and entrancing melodies, Lost Village invites you to embrace the extraordinary. With a stellar lineup featuring artists like Aroop Roy, Habibi Funk, and SG Lewis, prepare for an unforgettable musical journey.

Lost Village runs 22-25 August 2024 at Norton Disney, Lincolnshire, UK. Tickets are priced from £111.66 (S$189.02).

Dimensions Festival, Croatia – August/September

Get ready for the twelfth edition of Dimensions Festival as it returns with a fresh vibe and a new home at The Garden in Tisno, Croatia. Born in 2012 as the sister festival of Outlook Festival, Dimensions promises to continue its legacy of delivering cutting-edge electronic music experiences. This summer’s lineup boasts an impressive array of talent with debut sets from rising stars like AliA and Mad Miran, alongside established favourites such as Helena Hauff, Eris Drew, and Shanti Celeste. Expect an unforgettable five-day journey filled with music, boat parties, and afterparties in paradise!

Dimensions Festival runs 29 August – 2 September 2024 at The Garden Resort, Ul. Petrića Glava 34, 22240, Tisno, Croatia. Tickets are priced from £225.50 (S$381.74).

Reeperbahn Festival, Germany – September

Step into the heart of the international music scene at Reeperbahn Festival, Europe’s largest club festival and a global platform for pop culture. Over four exhilarating days, the festival presents a dynamic program featuring over 1000 concerts, conference sessions, and networking events. With a focus on showcasing new artists  like Ão, Voodoo Beach, and Zimmer90, and fostering collaboration across the music ecosystem, Reeperbahn Festival serves as a catalyst for innovation and growth. Whether you’re a music fan or a seasoned industry professional, join the dialogue, exchange ideas, and discover emerging talent from diverse backgrounds.

Reeperbahn Festival runs 18-21 September 2024 across various venues in Germany. Tickets are priced from €59 (S$85.53).

Amsterdam Dance Festival, Netherlands – October

Immerse yourself in the electrifying world of electronic music at Amsterdam Dance Event (ADE), returning with a bang! Over five thrilling days in October, Amsterdam’s vibrant venues transform into a playground for music enthusiasts and industry professionals alike. With 1,000 shows, talks, and workshops spread across the city, ADE promises an unparalleled festival experience. This year’s lineup is set to dazzle, featuring standout events like Tomorrowland’s 20th-anniversary celebration and the return of Amsterdam Music Festival to the iconic ArenA stage.

Amsterdam Dance Festival runs 16-20 October 2024 across various venues in Amsterdam. Tickets have not been released yet. 

Top Image: Gottwood Festival

The post Your Guide To The Hottest Music Festivals In Europe This 2024 appeared first on City Nomads.

Tip! click that play button to enjoy some beats from our City Nomads Radio, to get in the festival mood while you scroll. 

Rainbow Disco Club, Japan – April 2024

Celebrating its fifth year, Rainbow Disco Club (19 to 21 April 2024) transforms the Higashi-Izu Cross Country Course into a musical paradise. Artists like Four Tet and the duo of DJ Nobu b2b DJ Masda will take to the stages, including the visually and acoustically captivating RDC Stage and the Red Bull Stage. This festival is a haven for lovers of disco, house, and electronic music, set against the lush backdrop of Izu. Attendees can expect an array of visual spectacles, from intricate laser shows to immersive lighting, curated by visionaries like REALROCKDESIGN and C.O.L.O, enhancing the overall festival experience.

Rainbow Disco Club runs 19-21 April 2024, at Higashi-Izu Cross Country Course, Inatori, Higashiizu, Kamo District, Shizuoka 413-0411, Japan. Tickets are priced from ¥16,000 (S$141.43). 

Organik Festival, Taiwan – April 2024

This gem of a festival returns to Taipei’s secret northern coast from 26 to 28 April 2024, immersing attendees in three days of rhythm and melody. With its 11th edition, Organik Festival showcases 34 acts from local and international scenes across three stages. The Organik Stage offers breathtaking views framed by mountains and the sea; the Red Pillars, set in an abandoned warehouse, provides an underground vibe; and the Ambient Greenhouse offers a serene musical experience. The lineup features a diverse range of artists, including the likes of Lena Willikens and Diskonnected, ensuring a vibrant celebration of electronic music. Beyond the music, the festival encourages exploration of the local natural and cultural wonders, complete with diverse food options and engaging workshops.

Organik Festival runs 26-28th April 2024, at No. 15, Xiayuankeng, Shimen Dist., New Taipei City 253, Taiwan (R.O.C.). Tickets are priced from €157.50 (S$228.49). 

The Air House, South Korea – May 2024

Slated for 24 to 26 May 2024 in Seoul, The Air House is not just any music festival; it’s a “Nature Underground Music Festival” with a focus on sustainability. This carbon-neutral event showcases a commitment to environmental stewardship through the use of reusable containers, detailed analysis of waste, energy, and participant transportation,  as well as initiatives like carbon offsetting through forest conservation. The festival’s lineup, including artists like REBOLLEDO, MLCH and YUKSEK, promises a diverse musical experience complemented by eco-friendly practices. Attendees can also engage in play and meditation zones, offering activities like yoga and aerobics in nature, making it a holistic experience that merges enjoyment with environmental consciousness.

The Air House runs 24-26 May 2024, at 1, Namiseom-gil, Namsan-myeon, Chuncheon-si, Gangwon-do, South Korea. Tickets are priced from ₩109,000 (S$106.89). 

Paramount Open Air Party, Japan – May 2024

Taking place at the Gunma Cycle Sports Center from 25 to 26 May 2024, Paramount Open Air is a showcase of diversity in music and culture. With a lineup that includes Anthony Linell and Danielle, the festival is a melting pot of techno, indie, and more. The event’s setting in Gunma offers a picturesque backdrop, where music lovers gather to experience not just the sounds but the beauty of Japan’s landscape. Paramount Open Air stands out for its emphasis on open-air enjoyment, providing a perfect blend of music, nature, and camaraderie among attendees.

Paramount Open Air Party runs 25-26 May 2024, at Gunma Cycle Sports Center, 3853 AramakiMinakami, Tone-gun, Gunma 379-1411. Tickets are priced from ¥6,000 (S$52.96). 

Rural, Japan – July 2024

Set against the stunning backdrop of Kodatei Prefecture, Rural, held 12 to 15 July 2024, invites attendees to its “nowhere CAMP” theme, promising a serene escape into music and nature. This four-day event offers a lineup that includes Elaheh and Forest Drive West, setting up dance floors amidst the breathtaking landscapes of the Numajiri Highlands in Inawashiro. The festival’s pre-party, a popular tradition, also makes a return, inviting early arrivers to begin their musical journey amidst Tohoku’s mountains and lakes.

Rural runs 12-15 July 2024, at nowhere CAMP, Numajiriyamako-2864 Kogai, Inawashiro, Yama District, Fukushima 969-2752, Japan. Tickets are priced from ¥13,000 (S$114.74).

We The Fest, Indonesia – July 2024

Indonesia’s We The Fest is Jakarta’s offers a blend of international and local acts across pop, rock, and electronic music. From 19 to 21 July 2024, Jakarta will buzz with the excitement of We The Fest’s 10th anniversary. As Southeast Asia’s premier music festival, it has previously hosted stars like Lorde and Dua Lipa. This year’s edition promises a blend of music, art, fashion, and food, celebrating a decade of bringing global music culture to Indonesia. Attendees can expect an eclectic lineup, engaging art installations, and a fashion-forward crowd, making it a holistic festival experience.

We The Fest runs 19-21 July 2024, at Gelora Bung Karno Complex, Jl. Pintu Satu Senayan, Gelora, Kecamatan Tanah Abang, Kota Jakarta Pusat, Daerah Khusus Ibukota Jakarta 10270, Indonesia. Tickets are priced from Rp1,500,000 (S$126.70).

Suara Music & Arts Festival, Indonesia – July 2024

Set in Bali’s visionary Nuanu City, the Suara Music & Arts Festival runs from 26-28 July, blending local and international music talents like HVOB, LP Giobbi, and Mansionair with Bali’s Batavia Collective and Tantra Collective. This eco-friendly venue, where jungle meets sea, features sustainable architecture, outdoor stages, a beach club with an infinity pool, and multimedia facilities. Just 15 minutes from Canggu, festival-goers get to experience a diverse mix of music, workshops, wellness activities, art installations, and culinary delights, offering an intimate and immersive festival experience in a stunning natural setting.

Suara Music & Arts Festival runs 26-28 July 2028, at Nuanu City, Nyanyi Beach, Tabanan, Bali, Indonesia. Tickets are priced from US$199 (S$271) for 3-day passes. 

Fuji Rock Festival, Japan – July 2024

Celebrating its 25th anniversary at Naeba from 26 to 28 July 2024, Fuji Rock is more than a music festival is not only one of Asia’s largest and most iconic music festivals, but it is also a cultural phenomenon. With an array of artists like Peggy Gou and Hiromi Uehara, the festival is a testament to the diversity of music, from electronic to jazz and beyond. Additionally, Fuji Rock’s commitment to environmental sustainability is evident in its practices, from recycling initiatives to its new “Camp Village,” offering glamping options for attendees seeking a nature-immersive experience amidst nature.

Fuji Rock Festival runs 26-28 July 2024, at Naeba Ski Resort, 202 Mikuni, Yuzawa, Minamiuonuma District, Niigata 949-6212, Japan. Tickets are priced from ¥9,000 (S$79.46).

LaLaLa Festival, Indonesia – August 2024

Making a grand return to Jakarta from August 23rd to 25th, LaLaLa Festival offers a unique festival experience at the JIEXPO. Originally started as a dream in 2016, it has evolved into a significant event featuring international stars like Conan Gray and local talents such as Isyana Sarasvati. This music festival stands out for its dedication to exploring uncharted musical territories and fostering a deep appreciation for Indonesian culture amidst the bustling city of Jakarta. The lineup for 2024 has not been announced yet.

LaLaLa Festival runs 23-25 August 2024, at JIEXPO Kemayoran Jalan Haji Benyamin Sueb Arena JIExpo Kemayoran. Tickets are priced from Rp 700,000 (S$58.60). 

Labyrinth, Japan – October 2024

From 12 to 14 October 2024, Labyrinth invites attendees to the mystical Hodaigi Campground in Gunma for a psychedelic techno experience. Known for its minimalist setup and exceptional sound quality, the music festival offers a musical journey with Funktion-One speakers amidst lush forests. Squint hard, and you might just get a glimpse of Donato Dozzy or feel the likes of Peter Van Hoesen‘s forceful techno pushing your eardrums to their limit. The experience is enhanced by the festival’s single stage setup, ensuring an uninterrupted flow of music and a shared journey for all attendees.

Labyrinth Festival runs 12-14 October 2024, at Hodaigi Campground, 915-1 Fujiwara, Minakamimachi, Tone-gun, Gunma, 379-1721. Tickets are priced from ¥20,000 (S$176.59).

Shi Fu Miz Festival, Hong Kong – November 2024

Shi Fu Miz Festival is returning for its 7th edition from 8 to 10 November, 2024, starting with an opening night in Central Hong Kong and continuing the party at Cheung Chau Island’s Sai Yuen Farm. The line-up boasts a vibrant mix of international and regional electronic music artists like Chaos In The CBD and DJ BORING performing on four unique stages. The festival also offers wellness activities, workshops, family-friendly events, and insightful talks on sustainability, all set against creatively designed stages and scenic landscapes. Foodies can also indulge in diverse culinary delights at the Feast Court and a special Shi Fu Miz x Melody – Sunset Stage  multi-sensory dining experience led by chef Jamie Draper. Use code [CN20] for 20% off. 

Shi Fu Miz Festival runs 9-10 November 2024, at Saiyuen Camping & Adventure Park, Sai Yuen, DD CC Lot 12, Cheung Chau, Hong Kong. The Opening Night runs on 8 November 2024 (venue to be announced). Tickets are priced from HK$250 (S$43.33) for Day Passes.

Joyland Festival Jakarta – November 2024

Joyland Festival Jakarta 2024 promises a stellar three-day experience from 22-24 November at GBK Baseball Stadium Senayan, with an exciting lineup that goes beyond music. Headlined by American artist, Annie Clark a.k.a. St. Vincent, French atmospheric pop duo, Air, dynamic duo Hyukoh & Sunset Rollercoaster, and indie favourites Bombay Bicycle Club, the festival features a diverse mix of international and local talent. Other highlights include Balming Tiger, The 5.6.7.8’s, Bubble Tea and Cigarettes, DYGL, Silica Gel, and Indonesian favourites like Efek Rumah Kaca and White Shoes & The Couples Company. Beyond the main stages, attendees can enjoy unique zones like the family-friendly White Peacock area with a sensory play obstacle course, the outdoor Cinerillaz cinema screening films, and activities like art journal collage. The Joyland experience is rounded out by pop-up markets, stand-up comedy segments at Shrooms Garden, and plenty of pre-festival activities including a merchandise collection launch party, and a chess tournament​.

Joyland Festival Jakarta 2024 runs 22 to 24 November 2024, at GBK Baseball Stadium Senayan, Jl. Pintu Satu Senayan, Jakarta Pusat 10270, Indonesia. Tickets are priced from IDR498,000 (S$42.02) for 1 Day passes.

Clockenflap, Hong Kong – November/December 2024

Taking place from 29 November to 1 December, Clockenflap is Hong Kong’s flagship outdoor music festival, offering an eclectic mix of music, art, and food at the Central Harbourfront. The festival is a celebration of creativity and diversity, featuring a wide range of genres and acts by local and international acts across multiple stages, alongside art installations and gourmet culinary experiences, set against the iconic skyline of Hong Kong.

Clockenflap runs 29 November – 1 December 2024 at Central Harbourfront, 9 Lung Wo Rd, Central, Hong Kong. Tickets have not been released yet.

Wonderfruit, Thailand – December 2024

Scheduled for 12 to 16 December 2024 in Pattaya, Wonderfruit is more than a music festival; it’s a movement towards sustainable living through art, culture, music, wellness and nature. Set in the beautiful fields of Siam Country Club, it offers a platform for creative expression and eco-friendly practices, encouraging attendees to explore wonder in all its forms.

Wonderfruit runs 12–16 December 2024, at The Fields of Siam Country Club, 50 Moo 9 T. Banglamung,​ Pong, Bang Lamung District, Chon Buri 20150 Thailand. Tickets are priced from THB5,000 (S$195.91). 

Magnetic Fields, India – December 2024

Closing the year in December, India’s Magnetic Fields Festival offers an eclectic mix of contemporary music and traditional Rajasthani culture. Held in the historic Alsisar Mahal, this festival is a blend of the old and the new, providing a surreal backdrop for an unforgettable musical journey. The festival is renowned for its eclectic lineup, immersive art installations, and workshops, providing a unique blend of the ancient and the modern in a celebratory atmosphere.

Magnetic Fields runs 6-8 December 2024, at Alsisar Mahal, Rajasthan, Jhunjhunu, Village, Alsisar, Rajasthan 331025, India. Tickets are priced at INR22,500 (S$354) for festival passes. 

have not been released yet.

Top Image: Fuji Rock Festival Japan

The post An Ultimate Guide To The Hottest Music Festivals in Asia (2024) appeared first on City Nomads.

Give Sarayu’s mix a listen as you read along!

UK Influences and Musical Beginnings

 

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Reflecting on his formative years, Sarayu recalls a rich tapestry of musical influences that ignited his passion for music, spanning across various genres. His time studying in the UK from ages 9 to 22 exposed him to an array of sounds and cultures, particularly immersing him in the electronic music scene that would later shape his career as a DJ. Embracing this newfound passion at 18, Sarayu embarked on a journey that would take his career in the trajectory he’d always hoped for.

Beyond simply admiring artists, Sarayu draws inspiration from immersive experiences and ongoing exploration. Attending events, delving into mixes, and experimenting with a diverse range of genres serve as constant sources of fuel for his creativity. Today he can be seen regularly touring the region as well as other parts of the world bringing his craft beyond the streets of Bangkok.

“It can get frustrating in the studio when you get stuck creatively. When I get stuck I try to learn new techniques or find new music. It’s very important for me to not get frustrated when I’m unable to finish tracks for a while, as it will only get worse, so I’ve learnt to try to do different things in the studio to spark my creativity again.”

More Rice Records & The Evolution of Bangkok’s Nightlife

Since launching his career, Sarayu has released his debut EP “Pridi 303” on his label More Rice Records, and other releases on labels such as Boiled Wonderland. His ability to blend various subgenres has earned him respect as a “DJ’s DJ”, infusing different subgenres with his UK-driven sound, rooted in House, Techno, Breakbeat, and beyond.

For Sarayu, founding More Rice Records marks a pivotal achievement in establishing a label that provided a platform for Asian artists to showcase their talent. Looking ahead, his vision remains steadfast—to nurture emerging talent and expand collaborations. The label’s first collaboration in 2023 with Walls And Pals and the establishment of a physical record store exemplify Sarayu’s commitment to growing the electronic music community and connect with electronic music lovers from all over the world. Furthering other aspects of the label, Sarayu would like to exploring avenues like merchandise, as even now,  when he sees people wearing their current merchandise all over the world is like a high like no other.

Sarayu reflects on the positive shifts in Bangkok’s nightlife, highlighting increased solidarity among artists and the rise of new talents post-Covid. He envisions a future where the region’s electronic music scene flourishes, strengthening the sense of community across Asia.

“Bangkok’s nightlife scene has become much tighter as a whole, we’re supporting each other and working towards the same goal, which is great to see. Post covid there’s a lot more DJs, dancers and new collectives. I feel like Asia / South-East Asia as a whole has become much closer, with everyone reaching out to each other a lot more. “

Looking Forward

Teasing upcoming releases, Sarayu shares his enthusiasm, particularly towards a highly anticipated split EP with More Rice’s co-founder, DOTT. This collaboration marks a significant milestone in their journey, showcasing the label’s evolving sound and the strength of their collaborative spirit. With numerous exciting projects in the pipeline for 2024, Sarayu’s enthusiasm is palpable.

Offering advice to emerging artists, Sarayu stresses the importance of perseverance and experimentation. He emphasises the abundance of resources available online and encourages budding artists to pursue their passions relentlessly and experiment fearlessly.

Through his endeavours with More Rice Records and his individual artistic pursuits, Sarayu is not just a part of Bangkok’s dance music scene; he is a pivotal force propelling it towards a brighter and more inclusive future. His dedication and passion serve as a guiding light for aspiring musicians around the world, embodying the spirit of innovation and community that defines Thailand’s dance music scene.

Keep up with DJ Sarayu here. 

All images courtesy of Sarayu.

The post City Nomads Radio: DJ Sarayu Talks Thailand’s Dance Music Scene & The Ignited Collaborative Spirit of Asia appeared first on City Nomads.

Perfectly timed with Singapore Art Week, ART SG kicks off with an exclusive VIP Preview & Vernissage on 18 January, setting the stage for a week-long celebration of arts in Singapore. In addition to being a platform for the exploration of artistic excellence, this international contemporary art fair also helps galleries spark new connections and expand their networks, making an impact within Singapore and beyond. 

“As Singapore emerges as a crucial player in the international art ecosystem, the 2024 edition will reaffirm the defining features of ART SG: an exceptional and uncompromising concentration of high-quality presentations; a vital convening point as Southeast Asia’s leading fair for galleries, collectors, institutions from around the world and a commitment to advancing new opportunities for our gallery community”.  

Magnus Renfrew, Co-Founder, ART SG.

Event Overview

This year, ART SG will unfold across three different sectors – GALLERIES, FOCUS, and FUTURES –  set to delight both new and seasoned collectors, as well as arts enthusiasts. Leading the charge as the largest sector, GALLERIES will feature multi-disciplinary presentations from 68 primary galleries. FOCUS highlights 36 curated presentations focused on artistic practices, diverse mediums, including digital art and new media, and emerging to mid-career artists. Dedicated to supporting younger galleries less than ten years old, FUTURES sees exclusive presentations created within the past 18 months and unveiled for the first time at ART SG. In addition to these three sectors, ART SG presents a new label this year, DIGITAL SPOTLIGHT, highlighting galleries whose programs have an emphasis on art and technology, including digital art, film and new media, augmented or virtual reality, artificial intelligence, creative coding and algorithms, and more. Don’t miss these presentations to view artists pushing boundaries and engaging with new areas of practice.

More Than Just an Art Fair

ART SG is dedicated to being a vital platform and meeting point for artists, curators, collectors, institutions, galleries and art enthusiasts. Together with an impressive line-up of gallery presentations, their program spans talks and conversations, large-scale installations, films and more, so keep your eyes peeled.

Discussions and Dialogues with TALKS

Also highly anticipated is the return of ART SG’s TALKS program: PERSPECTIVES. Through a series of insightful dialogues curated by Zoe Butt, Founder of ‘in-tangible institute, the program will delve into pivotal issues in the Southeast Asian art ecosystem, such as supporting next-generation art practitioners and how collectors, curators, and dealers play a supportive role within this network. Expect a panel of esteemed speakers from Southeast Asia, South Asia, and Australasia, and engage in cross-cultural dialogues and reflective discussions. Explore inventive approaches to cultivate and sustain art ecosystems in light of global dynamics. 

For the full line-up of topics and speakers, please visit ART SG website.

Immersive Large-scale Installations in PLATFORM

Gracing the fair are site-specific art installations that spotlight the latest in contemporary art practices. Encapsulating themes inspired by the Asia Pacific region and beyond, these installations showcase the works of five artists spanning diverse backgrounds and generations.

Home by Gordon Cheung

In the captivating mixed-media installation Home, British-Chinese artist Gordon Cheung reimagines traditional Chinese windows using financial newspapers and bamboo. The ethereal architecture alludes to homes lost in China’s rapid urbanisation, intertwined with the exploration of identity – a reflection stemming from Cheung’s dual identity during the 1997 British to China handover of Hong Kong. Presenting between states of existence, the 18-structure installation presents a visual narrative of looking from the past to the future through a financial frame.

Presented by Richard Koh Fine Art.

Immortal Words by Boedi Widjaja

Building on Boedi Widjaja‘s extensive ten-year exploration of the body, memory, language, and encoding, Immortal Words delves into our profound ancestral history and embedded memories through ancient words. Bring home a piece of the bio-art installation via DNA-infused ink vials dispensed through gachapon machines. Featuring ultraconserved words like “ashes”, “fire”, “to flow”, “to give”, “hand”, “to hear”, and “mother” in Southeast Asian languages, this installation was developed in consultation with geneticist Associate Professor Eric Yap. A playful project that explores the intricate connections between language, history, and contemporary art.

Presented by ShanghART Gallery

Moving Images in FILM

With a FILM program hosted in collaboration with ArtScience Museum and Sam I-shan, former National Gallery Singapore curator, expect thought-provoking works and discussions through moving images. Through her deep understanding of Southeast Asian film and moving images, alongside her experience in curating for events such as the Singapore International Film Festival, Sam I-shan connects diverse narratives and fosters the melding of art, film, and technology in the line-up of visual storytelling. 

For the full program lineup, please visit ART SG website.

VIP Collections

The Pierre Lorinet Collection presents “Rough”

Pierre Lorinet presents “Rough,” a vibrant collection showcasing works from 14 prominent artists. Curated by adviser Edward Mitterrand, the exhibition’s diverse range of styles and mediums explores Thomas Houseago’s dark masks, Rashid Johnson’s narrative of the shared human experience, and Ai Weiwei’s politically charged installations that speak of the complexities of our contemporary world. Rirkrit Tiravanija delves into themes of extinction, humanity’s impact on the natural environment, and the imminent end of civilisation. Danh Vo’s pottery narrates tales of medieval torture scenes. “Rough” invites all to question, interpret, and engage with the unconventional.

Translations: Afro-Asian Poetics

With “Translations: Afro-Asian Poetics”, dive into the shared narratives across Afro-Asian cultures with an exhibition of 100 acclaimed international artists from two continents. This groundbreaking showcase features private collections in diverse art forms from around the region. Featured artists include Theaster Gates, renowned for Afro-Mingei – a fusion of African-American vernacular craft with Soetsu Yangagi’s Japanese “mingei” philosophy. Singaporean artist Yanyun Chen and Nigerian artist Ifeyinwa Joy Chiamonwu explore themes of migration and displacement, language and identities. 

Completing the journey is a sensorial experience hosted by The Institutum. Alongside partners such as ShanghART Singapore, Nouri, and Creamier, tantalise your tastebuds with “Crossroads of Afro-Asian Flavours” – a four-hands dinner presented by Chef Ivan Brehm of Nouri and Ghanian Chef Selassie Atadika. Or, hop over to Creamier for some Afro-Asian-inspired ice cream.

Translations: Afro-Asian Poetics runs 18-30 January 2024 from 11am-6pm daily at Gillman Barracks. Exhibition at ShanghART Gallery, 9 Lock Road, Level 3, Singapore 108937, and 7 Lock Road, Ground Floor. Restaurant Nouri is located at 72 Amoy Street, Singapore 069891. 

For more information and reservations, please contact marketing@theinstitutum.com.

ART SG runs 19-21 January 2024 (Vernissage, 18 January) at Marina Bay Sands Expo & Convention Centre, 10 Bayfront Avenue, Singapore 018956. Open Thu 5-9pm, Fri 12pm-7pm, Sat 11am-7pm, Sun 11am-5pm. One-day passes start from S$38 for weekdays and S$42 for weekends; Vernissage four-day passes are S$78. Get your tickets here.

All images courtesy of ART SG.

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